SESSION 03 - TOP FIVE BEST RECORDING MICROPHONES FOR VOCALS
When searching for the best mics, it will take some time for you to figure out not only what your budget is, but preferences are in regards to sound, feel and energy of your vocal recordings. Today we’ve found our five favourite recommendations as vocal mics, and although it wasn’t easy, feel confident our selections will give you a decent range not only when it comes to price-points, but overall sound as well. You’ll first have to figure out a few of your needs before we give you our picks, so let’s get into some of the details.
TYPES OF MICROPHONES
- CONDENSER MICROPHONES
- TUBE MICROPHONES
- USB MICROPHONES
1.CONDENSER MICROPHONES
- These are the most popular types of mics for recording vocals, let alone anything, really.
- The reason is due to their internal builds being most optimal for their sensitivity and detail, which is of course useful when we’re recording vocals for song.
- They are also built very well and have polar patterns that aid in sound isolation for only recording what’s in front of it.
2.TUBE MICROPHONES
- In this type of tube mics have different internal builds than normal condensers.
- It's known by many as equipped with a wide dynamic range enabling listeners to obtain low noise and low distortion along with great SPL (Sound-Pressure Level)
- We recommend giving the microphones a listen to see for yourself and determine whether or not you want a tube instead of a regular condenser.
3.USB MICROPHONES
- A USB mic contains all the elements of a traditional microphone: capsule, diaphragm, etc.
- Where it differs from other microphones is its inclusion of two additional circuits: an onboard preamp and an analog-to-digital (A/D) converter.
- The A/D converter changes the mic’s output from analog (voltage) to digital (data), so it can be plugged directly into a computer and read by recording software.
TOP FIVE BEST RECORDING MICROPHONES FOR VOCALS
1. Warm Audio WA-47
Website : https://warmaudio.com/wa47/#prod-start
Designing the WA-47 to sound like the classic ‘47 was no easy task, especially considering that some of the vintage components are no longer available. We compared and listened to 2 different vintage ‘47 mics and found that they both sounded amazing but also sounded a little different from each other. These comparison tests became the benchmark for tailoring our WA-47 sonics to sit right in with these 2 vintage ‘47 mics. We are pleased to release such a gorgeous sounding classic to the market at a price that’s reachable to more people than ever before. We are also proud to mention that the WA-47 sounds legitimately indistinguishable to the vintage ‘47’s we auditioned on several sources.
As with all Warm Audio products, we focus heavily on quality components to ensure we release the best sounding product possible. The WA-47 is packed with top end components that are carefully sourced from many of the top pro audio component suppliers in the world.
2. Mojave Audio MA-200
Website : http://mojaveaudio.com/product/ma-200/
The MA-200 is a large diaphragm, vacuum tube condenser microphone with a fixed cardioid pattern. Born to a lineage of fine microphone designs by David Royer, the MA-200 gives warm, full-bodied reproductions of vocals and instruments, with none of the shrillness and high frequency distortion artifacts that are often encountered with modern condenser microphones.
Utilizing hand-selected 3-micron capsules, high-quality Jensen audio transformers and military-grade JAN 5840 vacuum tubes, the MA-200 performs at a level reminiscent of some of the best loved classic condenser microphones. The MA-200 power supply can be set for 115V and 230V, 50 or 60 Hz, through an internal switch (100V is also available). Each MA-200 microphone, power supply and cable set is burned in for 24 hours, carefully tested and evaluated, then packaged in its protective case-within-a-case.
3. Audio-Technica AT2035
Designed for critical home/project/professional studio applications and live performance, this side-address cardioid studio condenser delivers exceptional detail and low noise. Equipped with a switchable 80 Hz high-pass filter and 10 dB pad, the AT2035 handles high sound pressure levels with ease. Along with its rugged construction and high-performance specifications, the AT2035 provides an exceptional level of consistency from model to model. It comes equipped with a protective pouch and a custom shock mount.
Ultimately the key with this microphone for recording vocals pick is its combination of great construction, smooth and natural sound alongside its price. we’d definitely consider this one budget-friendly, at least compared to many others in this guide.
4. Rode NT1-A
Website : http://www.rode.com/microphones/nt1-a
The RØDE NT1-A 1" cardioid condenser microphone has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability typically only featured on some of the world’s most expensive microphones. With a self-noise level of only 5dBA it is widely recognised (along with the NT1) as one the world's quietest studio microphones. This low noise makes it an ideal vocal microphone as well as perfect for recording guitars and percussion.Packaged in the 'Complete Vocal Recording Solution', the NT1-A includes everything you need to get a truly professional vocal recording and is ideal for home studio recording.
A studio grade pop shield and shock mount is included, along with a premium 20' microphone cable, dust cover, and an downloadable instructional video packed with recording tips. The RØDE NT1-A large diaphragm 1" cardioid condenser microphone is designed and made in Australia, and covered by RØDE Microphones' industry leading 10 year warranty.
5. AKG C414 XLII
Website : https://www.akg.com/Microphones/
The C414 XLII multi-pattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live sound applications and permanent installations, all controls can easily be disabled for trouble-free use. The C414 XLII version differs from the C414 XLS version in one major respect – the capsule. The C414 XLII's slight presence boost and impressive spatial reproduction are both similar to the legendary AKG C12 microphone from 1953.
There is a slight presence boost in the vocals here, which means you have a very little emphasis in the mid-range ever so-slightly for a different sound in case it’s what your ear is asking for. This typically makes vocals and other solo instruments stand out a bit more in a layered mix (also great for drums). You also have some more control over your sound with an on-board bass cut as well as pre-attenuation pads filter (three of them at either -6, -12, or -18dB) so you can adapt to whosoever voice is currently being tracked. The AKG C414 XLII is just another one of our favorites as the best microphone for recording vocals.
CONTACT
E-mail : arasuwinner007@gmail.com
YouTube : https://www.youtube.com/channel/UCzKcRhID5bVUadYkJhgsxwQ
Mobile : +91-8883349859
Thank You,
CONTACT
E-mail : arasuwinner007@gmail.com
YouTube : https://www.youtube.com/channel/UCzKcRhID5bVUadYkJhgsxwQ
Mobile : +91-8883349859
Thank You,
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| P.Thennarasu B.E |
